![]() ![]() 2." This gets to the second different tonal difference between the films, which is emotional. 1" is okay for what it is, but its flash and action are no match for the depth and nuance of "Vol. 2" the emphasis is on storytelling and character-building, which is where it should be given we are now being asked to deepen our commitment of interest to these people. Maybe some here wish he'd pile it on a bit more, but they have to make do with the goofy Pei Mai sequence, which is a flashback and hence not jarring in its "Vol. 1." He pulls back and lets the plot breathe, rather than filling every spare second with a homage-cum-parody that maybe a dozen lucky fans will get. 2" he doesn't go as overboard as he does in "Vol. Cinematic sampling is something he's good at and enjoys, but in "Vol. Director Tarantino has fun stylistically quoting Sergio Leone and chop-fu cheapos from the late 1960s and early 1970s. It makes sense it's a separate movie the tone is such a departure from "Vol. 1" had a lot of blood, violence, and wisecracks, and galloped across the screen like a rap video on steroids. 2" in the tail end of 2003, we met Uma Thurman, one peeded-off super-assassin taking out some folks from her past one at a time, with the occasional mega-posse thrown in for interest. Let's end the argument right now: David Carradine doesn't even appear in "Volume 1." Hasn't the Academy mailed him his Best Supporting Actor Oscar already? In the first volume of "Kill Bill," released only a few months before "Vol. It's a matter of some debate which volume of Quentin Tarantino's "Kill Bill" is better. Thurman and Tarantino admitted that the incident had caused a breach in trust which affected their working relationship for several years, but they reconciled afterwards and remain on good terms ever since. Years later, Tarantino finally gave her the footage and helped her come forward in the wake of multiple sexual assault charges against Weinstein (with Thurman also claiming to be one of his victims). She tried to obtain the footage as proof but Harvey Weinstein reportedly refused to release it unless she signed a document that would release the company from any liability. While driving the Karmann Ghia, there was an unexpected turn in the road causing Thurman to lose control of the car and crash it into a tree, leaving her with a concussion and damaged knees. However, since the scene was not considered to be a stunt and the stunt coordinator was not on-set that day, Quentin Tarantino persuaded her to shoot the scene herself. ![]() At the time, Thurman had voiced her reservations about filming a scene while driving a car over a straight dirt road and had requested a stunt performer. In 2018, Uma Thurman posted footage online of a car accident that occurred in 2002 while filming this movie.
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